![]() In 2018, Sommer appeared in the horror mystery film Summer of 84, opposite Graham Verchere, Judah Lewis and Tiera Skovbye. That same year, he also co-starred in Rob Reiner's biopic LBJ as Press Secretary Pierre Salinger, alongside Woody Harrelson in the title role. From February 2 to March 13, 2016, Sommer starred in the Off-Broadway revival of Sam Shepard's play Buried Child, with Ed Harris and Amy Madigan. In November 2014, Sommer reprised his role as Harlan Emple in an episode of CBS's procedural drama series Elementary, after guest starring as the character in an episode the previous year. On March 1, 2014, it was reported that Sommer had been cast in the CBS pilot Good Session however, the network later declined to pick up the project to series. Also that same year, he guest starred in NBC's police procedural series Law & Order: Special Victims Unit as Boyd Hartwell. In May 2012, he began performances of the Roundabout Theatre Company's production of Harvey on Broadway, co-starring alongside Jim Parsons. The following year, he co-starred with Bob Odenkirk and Jenna Fischer in the romantic comedy film The Giant Mechanical Man. In 2011, Sommer guest starred in two episodes of The CW's drama-thriller series Nikita as electrical engineer and CIA consultant Malcolm Mitchell. ![]() In 2010, he played Jimmy Wilson in a guest appearance on Ugly Betty. In 2008, Sommer appeared as a guest star in two episodes of NBC's mockumentary sitcom series The Office, portraying the role of Alex. Sommer at the 15th Screen Actors Guild Awards in 2009įrom 2007 until its ending in 2015, Sommer maintained a regular role on AMC's period drama series Mad Men as Harry Crane, a media buyer who becomes head of the television department in a 1960s Madison Avenue ad agency. He has appeared in commercials for companies such as Bud Light, Dairy Queen, Nextel, and Sprint. Sommer's most notable film role to date is as Anne Hathaway's friend Doug in the 2006 film The Devil Wears Prada. Sommer returned to the school in 2006 to teach icebreakers to law students, and again in 2008 to do an improv workshop with undergraduate theatre students. In 2004, he received his Master of Fine Arts in acting from Case Western Reserve University in Cleveland, Ohio. Sommer studied improvisation at the Brave New Workshop in Minneapolis, and started an improv group, the Slush Puppies, in Moorhead. He then went on to attend Concordia College in Moorhead, Minnesota, where he majored in theater and sang in The Concordia Choir. Sommer was born in Ohio and raised in Stillwater, Minnesota, where he was educated at Oak-Land Junior High School and Stillwater Area High School. More recently, he portrayed Detective Dean Riley in The CW crime drama television series In the Dark (2019). He guest starred in a number of Elementary episodes. He is also known for his roles in the comedy-drama films The Devil Wears Prada (2006), Celeste and Jesse Forever (2012), The Giant Mechanical Man (2012), Hello, My Name Is Doris (2015), and BlackBerry (2023) as well as voicing Henry in the 2016 video game Firewatch. The series may ultimately be a rags-to-riches fantasy and not so much the deep drama it aims for, but darn if it isn't a great one.Rich Sommer (born February 2, 1978) is an American actor, best known for his portrayal of Harry Crane on the AMC drama series Mad Men (2007-2015) for which he earned two Screen Actors Guild Awards along with the ensemble cast. Anya Taylor-Joy does wonderful work here also, her still face and expressive eyes hinting at the deep pain and drive bubbling under the surface. This relationship is perhaps the most interesting in the series, and Marielle Heller - better known as the director of films like Can You Ever Forgive Me? and A Beautiful Day in the Neighborhood - gives a nuanced performance full of pathos and genuine warmth she should absolutely be acting more often. ![]() But even Beth's substance abuse problems don't truly threaten her until far into her career, as she is aided in her growing reliance on booze by her adoptive mother/agent Alma. ![]() Like many savant-centered stories, this one (which is based on the novel by Walter Tevis) attempts to examine the complexities of fame and genius - the idea that someone has to be a little "crazy" to be exceptional, and how detrimental that can be to one's personal life. Some male players scoff at the idea of a female entering their field, sure, but she's almost immediately met with respect and admiration, even if there is a touch of envy in it. It's not the fact that she's a chess genius that's hard to swallow, but the way this happens in the 1960s, yet she appears to face very little conflict in terms of male acceptance as she rises the ranks. Some elements of Beth Harmon's story stretch credulity, but this is an absolutely gorgeous-looking fairy tale, well-acted enough to gloss over some of the less believable aspects.
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